One of my goals this year is to try to make more clothes that I will wear – everyday basics that fit into my real world, mum-of-four lifestyle. And while I’d love to say that darling dresses and strappy heels were a huge part of that, t-shirts and jeans are the norm. However, darling dresses do figure in my sewing plans, so stay tuned for that in upcoming blog posts.
I was super excited to get the Renfrew Top by Sewaholic for my birthday. It’s such a versatile pattern. It can be a basic tee, or you can dress it up.
I wanted to test the fit, so started with I a wearable muslin in cotton jersey. I made the neck from view A and the sleeves from view B.
I made the size 16, based on my measurements. It all depends on how you like your tees to fit, and the stretchiness of your fabric, but I found the 16 to be large. The shoulders are quite loose, and the sides as well. I took in an inch on each side, (leaving the full width just under the arms for curvaceous reasons-ahem) and it’s still not especially fitted. Next time I will definitely go down a size, maybe two, and do a cheater FBA. I’m also considering shortening it a bit. But maybe without the band at the waist, it would be better. We’ll see.
Since this was a wearable muslin, I used simple cotton jersey. It’s soft, casual and comfortable and easy to wear.
The only change I made, was not to zigzag along the neckband. I did this in the back of the shirt, but I didn’t like the look, so I didn’t continue on the front. It’s a wearable muslin after all, so I think that’s fine. If I were making the cowl neck version, however, I might keep the zigzagging just to stabilize everything, since it wouldn’t show.
I don’t have a serger, but my sewing mating has an overlock stitch, similar to what you would find on a serger. Net time I have to remember to trim the seam allowances so that the insides are more neatly finished. The pattern uses 5/8 inch seam allowances, which is fine for sergers and sewing machines when using a narrow zigzag stitch. But my overlock stitch works with 1/4 inch seam allowances.
Overall, this is a really good pattern. The instructions are very clear and the whole thing comes together in an afternoon. Next time, I’ll try the cowl neck in a different fabric.
Since this is a wearable muslin, (kindly worded) fitting suggestions are welcome!
You may have seen that the Pantone colour of the year, for 2014, is Radiant Orchid. I was so excited when I saw the colour, because for the last couple of years, the colour of the year has been just a little outside of my colour palette, and finally, this year, it isn’t.
But what to sew?
I have been hoarding this beautiful piece of Bromley voile from Warp & Weft, in just the right shade of purple. It’s really pretty and very soft.
I had just the pattern in mind. This summer, Jeni Baker of In Color Order was one of the stops on The Staple Dress Blog Hop. It featured The Staple Dress by April Rhodes and I was lucky enough to win their giveaway.
The Staple Dress, is a super simple, whip-up-in-a-day, pattern. There are only a few pattern pieces, no darts, little fitting, no closures and no fussy details. I made the version with the straight hem and with pockets. (Who wouldn’t add the pockets?)
The toughest part was adding the elastic thread shirring. I’ve used thistechnique before and it was a breeze.
I received the paper pattern, but you can also get the pattern as a PDF. I prefer paper, since I don’t have to tape things together and the instructions come in a handy booklet.
I found the instructions very easy to follow and extremely thorough. This is definitely a good project for a beginner. It’s hard to go wrong.
I made the large, though the finished measurements said it might be snug. I wanted to be sure that the dress wasn’t too blousy, especially with a fabric that doesn’t have too much drape, and the unstructured design of the Staple Dress. In the end there was plenty of room.
The only problem I had was that the waist is really high (by design). The high (but not empire) waist ended up being very unflattering on a curvy, long-waisted girl like me. So I had to undo the shirring and move it all down, and I moved the pockets down as well by three inches.
The only other thing I changed was to make the dress a bit shorter. I’m 5’5″, and I ended up shortening the dress by 2 inches. I also made the dress hem a wide one, instead of the recommended narrow one, in case I change my mind about that shorter skirt later on.
Would I make this again? Yes. It’s super easy to sew. Though I think next time I would either use a draper fabric, maybe even a knit (you can see some examples here and here) in a smaller size, or add darts, for a bit more shaping. But overall, I’m pretty happy with the results. It’s a nice, simple, comfortable dress, that I can just throw on, and that fits well with my lifestyle. And of course, it’s the perfect colour for 2014.
Modifications: I lowered the pockets by 3 inches, lowered the waist shirring, shortened the dress by 2 inches, and used a wide hem.
Results: A quick and easy project that would be great for a beginner.
C’est orchidée la couleur Pantone de 2014, alors voici une petite robe très simple pour commencer la nouvelle année. Le patron est ‘The Staple Dress’, un projet à fabriquer dans un après-midi, et apte pour même les débutants.
I have been slowly rebuilding my wardrobe with some basic everyday clothing. After four pregnancies, all pretty close together, my wardrobe is in rough shape. I’ve also changed shape, and so my old clothes just don’t fit right. Rather than battle the clothes racks with four kids in tow, I’ve decided to make what I can.
This is my latest project, the Ginger skirt by Colette. It’s a simple, high-waisted a-line shirt, fitted in the hips with an invisible zipper.
I used a super soft baby cord, which is the same fabric I used to make pants for my kids. They think this is hilarious. Ha! Just wait till high school, kids.
I cut the size 18, based on my waist measurements, but I ended up taking in two inches, and I could have taken it a bit more in the hips. Next time, I’ll cut a 14, graded out to a 16 waist.
At first I thought the 18 looked ok. But it wasn’t lying smooth over the front of my hips. So I scoured the internet looking for similar body shapes, in the same skirt, and with the same problem, and they all had their skirts quite low on the waist. So I raised the waist and took in the sides and the skirt fit so much better. It was a whole new garment. I’m honestly not used to such a high-waisted skirt. Most ready-to-wear a-line skirts are designed to sit lower, but I do like the look. Next time, I’ll also take the skirt in a little more in the hips.
Adjusting the fit was quite easy. So if you are a bit larger than the largest size (or smallest than the smallest size), you shouldn’t have too much trouble grading up (or down) a size or two and still getting good results.
I made version 3, which has a straight waistband , and is cut on the bias. With baby cord, the results are not quite as dramatic as the chevron stripe pattern shown on the pattern packaging, but it does make for a really nice hanging skirt. Even my husband mentioned that it hung really nicely, and with no prompting (!!!). Using baby cord also means you don’t need to worry about matching the stripes.
The skirt has an invisible zipper, which went in really easily.
I added some very thin tricot interfacing to the skirt before adding the zipper, to stabilize it. But because the skirt was cut on the bias, it was still a little stretchy, so I also used bias tape on the seam edges, a suggestion from a couture sewing book, and this worked very well.
Hemming was a bit of an adventure. I let the skirt hang for a few days before I started. I had read how Sunni of A Fashionable Stitch has Mr Stitch help her with her hemming. So I gave it a shot. I can now confirm, that while Mr Garment has many superpowers, garment hemming is not one of them. He’s pretty good with compliments though (see above). Needless to say, I had to re-hem. Luckily, my hems usually fall pretty straight, so I guess I’ll just continue t0 hem on my own. I think next time, I’ll go a couple inches shorter as well. What do you think?
I didn’t line the skirt and simply zigzagged the seams. It’s a corduroy skirt, after all.
At first I was a bit shocked by the price of the pattern. I paid $18, which, for a simple a-line skirt pattern, is a lot. (You can get the PDF version for $12, which is better). But I wanted to try a Collette pattern (this is my first), and it was a gift as well (though I picked it out myself). I’ve found that the fit is really quite nice, and I will use the pattern again, so overall, still a worthwhile purchase.
I really like this pattern. It has a really nice fit, and is quick to sew, but also has a lot of room for creativity, if you are feeling up to a challenge. I’ll almost certainly make it again.
The Kelly skirt is a softly pleated, button-up skirt. It’s quite flattering on a variety of figures and according to the pattern designer, “created with the beginner sewer in mind”.
I’ve seen several cute versions online, but my favourites are by Adrienne at Stitching on the Edge, and Andrea at four square walls. Both used piping and linen, and I thought I would do the same.
My fabric is Robert Kaufman’s Essex yarn-dyed cotton-linen blend in black. I’m a huge fan of linen, and this fabric is amazing. It’s a bit heavier than your standard linen and has a really great, slightly nubby texture. I’m already dreaming up new clothing I can make with it.
I used store-bought black piping from one of the local fabric stores. I really like this look, but when I was trying the skirt on, I found that in real-life wearing of this skirt, I would probably go with a longer top, which necessarily covers the piping detail. Oh well. I know it’s there.
I fully lined the skirt (I’m not sure what the lining fabric is), mostly so I could wear it in the winter with tights. It makes for a warmer skirt, with smoother lines and fewer wrinkles in the fabric. The pattern does not come with instructions for the lining.
The pattern and instructions are great. It’s an easy pattern (only 5 pattern pieces) which really is great for beginners. I’m not a beginner, so the whole project went quite quickly. I especially like having the instructions in a booklet. The pattern is printed on thick paper, so you need to trace the pattern onto tracing paper. Both the booklet and pattern are quite durable, which is always nice with a pattern you intend to use multiple times, which I do.
I only have two complaints. The first is really very minor, nit picky even, but when constructing the skirt, it’s a good idea to baste the pockets to the side seams before joining the front and the back. It keeps the pocket from rippling. It’s a very small detail, but one that would probably help beginners.
I recently had my fourth baby, and although I would normally be a size large in the Megan Nielsen size range, my waist is (temporarily I hope!) larger than the largest size included in the pattern. I graded the pattern up a size, which was quite easy, but not something that every beginner will be able to do.
Despite my small complaints, I thought that overall this was a very good pattern and it makes a very wearable, flattering skirt.
Just before I made this skirt I got a belated birthday present in the mail. Can you identify these presser feet?
One is an invisible zipper foot, the other is a sew-on button foot. I was so excited when I opened these up. I know, I’m such a sewing geek.
I’ve been sewing for years, but on a very basic machine. It was one of the first purchases I made when I moved out on my own. It’s a basic Singer, with no special presser feet. Having this machine has meant that all the finishing details of my clothes were done by hand. I had never sewn on a button by machine. I had also never made a blind hem, any way except by hand. I once made a formal gown for my sister. It had a floor length, full circle skirt in satin, with layers of tulle underneath. I hand-stitched the entire blind hem. It took ages.
A couple of years ago my husband bought me a much better machine. One of the most eye-opening things for me is trying out all the special presser feet. It has made sewing much easier and much more precise, though I still like the look of hand-finished details.
This is the first time I’ve machine sewn buttons to a garment. I like it a lot, especially for casual clothes. With a coat, I would still sew on the buttons by hand. I’ve been looking at Colette Pattern’s Beignet skirt for a while now, but the number of buttons was so discouraging. I think I see a Beignet skirt in my future now.
This is also the first time I’ve made a blind-hem by machine. I’m not sure if I’m a fan. From the outside it looks perfect, of course. Though I’m not used to seeing all the stitches on the inside. When you hand-stitch a blind hem, it is invisible on the inside as well. On the other hand, the lining covers the hem, so I’ll never really see it.
I’d seen the dress and tunic on so many blogs, always with great results. Now I noticed that many of the Washi’s I saw were being worn by people who were taller and less curvy than me. Then a couple of photos showed up in the flickr pool that looked a little more like me, so I had hope! Maybe I too could wear the fabled Washi. I bought the pattern.
The printed pattern is great. I love that the pattern sizes are each printed in a separate colour. Genius! Why doesn’t everyone do that? I love that each piece of paper is printed with a grid overlay along the sides of the paper. So easy to assemble! I liked the instructions, especially the part on making a muslin.
So I dutifully got out some (hideously ugly) fabric from my stash, and made a muslin. And then I did a full bust adjustment (FBA) which I had figured I would have to do. I used the instructions for a FBA on Megan Nielsen’s website, which Made by Rae lists on their site and which are very clear. It still wasn’t working. I went down a size, redid my FBA and lowered the darts. And anyway…. five muslins later I had something I thought looked fairly decent, so I cut my fabric.
There is only one thing in the printed pattern I would change: the way the bust darts are cut out before assembly. After just one muslin, it was clear that by basting and pressing the dart to start, you can get a much better fit, because you can adjust that seam. But if the fabric is already cut, and you need to fine-tune the dart, there’s nothing you can do. You are stuck with the dart placement, as is. The curvier you are, the more this matters.
Assembling the tunic was a breeze. The instructions are great. The smocking with elastic thread was so easy! Everything came together so quickly.
It just didn’t fit, at least not as well as I’d like. Boo!
I’m pretty sure it has more to do with my shape, than the pattern itself, since so many people have had such great luck with this pattern. I am extra curvy (and a breastfeeding mama as well) and I just had a baby six months ago. Can we say problem areas? I figured the pattern would be good for midsection coverage. However, this pattern, like any empire waist look, requires an excellent fit in the bodice. I needed to do the FBA, make sure the darts were in the right place, and make sure that the seamline where the bodice joins the skirt fell at the very thinnest part of my ribcage. This last point is important for avoiding the pregnant look. My muslin did not include the skirt portion of the tunic, only the bodice. It was all a bit frustrating.
In the end I had to take the tunic apart, and shorten the bodice a bit to get the skirt falling at the right place. It’s wearable, but could be better. The front view is good. The side view is only so-so. There is a bit of gaping at the neck. I think this tutorial on avoiding neck gape with a FBA from the Naked Seamstress would help. I would also add a couple tiny under bust darts, as suggested by the Queen of the Flies in her review of the Washi Dress. And there is still some pulling at the shoulders. Maybe I should go down a size? Hmmmm. Suggestions welcome.
Oh, and as a side note… if you disassemble your washi and abandon it in frustration for a couple of weeks (ahem), you may find that the elastic thread has worked its way out, so that you have to resew it. Entirely my fault of course.
I also made a poor choice of fabric. I used quilting cotton. It’s a bit, um, crunchy? Something with a lot more drape would have been a much better choice, especially with sleeves. The pattern recommends “Light to medium weight cottons or cotton blends (e.g. shirting, voile, double gauze, quilting cotton, poplin, or cotton/linen blends)”. Voile, lawn or batiste would have been better choices, at least for my figure. I also would probably have been better off with the dress, instead of the tunic. I suspect the weight of the extra fabric would make for a more flattering line. The garment would hang a bit more straight.
Would I make it again? Yes. The hard part is over. Now that I know how to get a good fit, and what fabric to use, I’d like to try this again. I would also prefer to line the bodice and there are instructions for lining a Washi bodice on the Made by Rae website. (Even though I attached the facing at the side seams, I find the facing pops out sometimes, which is annoying.) It’s such a cute pattern. Let’s call this a wearable muslin and move forward.